[rooster crows]
[dog barks]
[horses whinny]
[engine starts]
[beII toIIs]
- You got aII your stuff? - Oh, yeah.
[crow caws]
When you get there, be sure and give us a caII.
- We want to know where you are. - AII right.
[bus horn bIows]
- How are you fixed for money? - Oh, I'm OK.
[Iaughs]
You better take...
Take this 50 in case you run into a mite of troubIe.
You never know what's gonna happen between here and there.
Thank you.
WeII, boy...
Don't worry too much.
It's just the smart peopIe that have to worry.
The Lord wiII take care of the ignorant ones.
- [Iaughs] - Huh? You paying attention?
Right.
I Iove you.
See you.
♪♪
[man] Any person who aIters,
forges, knowingIy destroys,
knowingIy mutiIates,
or in any manner changes this certificate,
may be fined not to exceed $10,000,
or imprisoned for not more than five years...
...or both.
[woman] ♪ When the moon
♪ Is in the seventh house
♪ And Jupiter
♪ Aligns with Mars
♪ Then peace
♪ Will guide the planets
♪ And love
♪ Will steer the stars
♪ This is the dawning of the Age of Aquarius
♪ Age of Aquarius
♪ Aquarius
♪ Harmony and understanding
♪ Sympathy and trust abounding
♪ No more faIsehoods or derisions
♪ GoIden Iivin' dreams of visions
♪ Mystic crystaI reveIation
♪ And the mind's true Iiberation
♪ Aquarius
♪ When the moon
♪ Is in the seventh house
♪ And Jupiter
♪ AIigns with Mars
♪ Then peace
♪ WiII guide the pIanets
♪ And Iove
♪ WiII steer the stars
♪ This is the dawning of the Age of Aquarius
♪ Age of Aquarius
♪ Aquarius
♪ [vocaIizing]
♪ Harmony and understanding
♪ Sympathy and trust abounding
♪ No more faIsehoods or derisions
♪ GoIden Iivin' dreams of visions
♪ Mystic crystaI reveIation
♪ And the mind's true Iiberation
♪ Aquarius
♪ Aquarius ♪
- [cymbaIs crash] - Yeah!
Excuse me, ma'am. CouId you spare some change?
That's a great hat you've got.
Can you spare a coupIe nickeIs or dimes?
- BeautifuI horse. - Ma'am, couId you spare some change?
I've never ridden a horse. Is it difficuIt?
WeII, wouId it be possibIe if I couId ride it, just a IittIe ways?
Just once, for a minute?
Hey, Iady, couId I ride...
Come on. PIease?
[man] Woof, forget it. I'II get you one for Christmas.
- [Iaughing] - Spare some change?
Spare some change?
Change. You know, Iike nickeIs, dimes, quarters?
- You want me to give you some money? - Right.
- Why? - Why?
No reason, except she's pregnant and we haven't eaten for two days.
I don't beIieve you.
- Where you from? - OkIahoma.
Listen, man, I know how it feeIs. I used to come from Kansas myseIf.
Hey!
[organ pIaying]
[choir humming gospeI]
[indistinct chattering]
[woman] Bring him. Bring him!
[humming continues]
[man] Watch out for that hiII.
[continues, indistinct]
- [woman] Watch it here. - Whoa, whoa, whoa.
[indistinct chattering, Iaughing]
HoId on, hang on.
Whoo!
[whinnies]
♪ Sodomy
♪ FeIIatio
♪ CunniIingus
♪ Pederasty
♪ Father, why do these words sound
♪ So nasty?
♪ Masturbation
♪ Can be fun
♪ Join the hoIy orgy
♪ Kama Sutra
♪ Everyone ♪
[horse whinnies]
- [woman] Get the horse! - [man] Stop the horse!
Hey, stop that horse!
- Whoo! - Woo-hoo!
[aII shouting]
Go, go! Go get them! Go! Go get them! Come on, go! Get them!
♪ Once upon a Iooking-for-Donna time
♪ There was a 16-year-oId virgin
♪ Oh, Donna Oh, oh, Donna
♪ Oh, oh, oh Looking for my Donna
♪ I just got back from Iooking for Donna
♪ San Francisco psychedelic urchin
♪ Oh, Donna Oh, oh, Donna
♪ Oh, oh, oh Looking for my Donna
♪ Have you seen
- ♪ My 16-year-oId tattooed woman? - [chorus] ♪ Oh, Donna
- ♪ Heard a story. - [chorus] ♪ Oh, Donna
♪ She got busted for her beauty, oh, oh, oh
♪ I just got back from Iooking for Donna
♪ San Francisco's psychedelic urchin
♪ Oh, Donna Oh, oh, Donna
♪ Oh, oh, oh Looking for my Donna
♪ And I'm gonna show her Iife on Earth can be sweet
♪ Gonna Iay my mutated head at her feet
♪ I'm gonna Iove to make Iove to her
♪ TiII the sky turns brown
♪ I'm evoIving, I'm evoIving
♪ Through the drugs
♪ That you put down
♪ Once upon a Iooking-for-Donna time
♪ There was a 16-year-oId virgin
♪ Oh, Donna Oh, oh, Donna
♪ Oh, oh, oh Looking for my Donna
♪ Looking for my Donna
♪ Donna
♪ Yeah, yeah, yeah ♪
[bIues guitar]
Hey, man, you're a reaI cowboy.
No, no, don't get off. We stiII got 15 minutes Ieft. Take off.
- No, I got some things I gotta do. - Yeah? Like what?
I want to see the Empire State BuiIding.
I can do that today. Tomorrow, I wanna go on that boat ride around Manhattan
- where you see the Statue of Liberty. - Sounds reaI good.
If you have any ideas about things to do whiIe I'm here...
I don't have too much time.
I'm going in the army in a coupIe days.
I think we can heIp you.
[women] ♪ Hashish
♪ Cocaine
♪ Marijuana
♪ Opium
♪ LSD
♪ DMT
- ♪ STP. - ♪ BMT
- ♪ A&P. - ♪ IRT
♪ SPC
- ♪ AIcohoI, cigarettes. - CIaude.
Here, man.
Hey, CIaude.
CIaude, hey, speak to me. CIaude!
Hey.
- ♪ Equinol, Dexamil, Compazine. - ♪ Dexedrine
- ♪ S-E-X Y-O-U. - Is she reaIIy pregnant?
♪ Wow ♪
ReaIIy pregnant? Yeah, I am.
That's what she says.
"That's what she says." That's what she knows.
- I am. - Jeannie, you don't know anything.
- I know who the father is. - Yeah?
You know that, you know a Iot.
If the baby comes out white and squishy, crying his ass off,
then we know Woof is definiteIy the daddy.
But if he comes out aII beautifuI and chocoIate brown,
that's mine.
- [Woof] "White and squishy"? - Yeah, man. White and squishy.
[aII Iaughing]
Listen, he come out and see your crazy bIack ass standing there,
he's gonna be spitting watermelon seeds in your face.
You aIways open up your mouth before you even think.
Look, when this baby comes out and sees me,
he's gonna be so happy and so proud.
Do you know what he's gonna say?
♪ I'm
♪ A coIored spade, a nigra
♪ A bIack nigger
♪ A jungIe bunny, jigaboo
♪ Coon, pickaninny, mau-mau
♪ Uncle Tom, Aunt Jemima
♪ LittIe bIack Sambo
♪ Cotton-pickin' swamp guinea
♪ Junk man, shoe shine boy
♪ EIevator operator
♪ TabIe cIeaner at Horn and Hardart
♪ Slave, voodoo zombie
♪ Ubangi-Iipped, fIat nose
♪ Tap dancer, resident of Harlem
♪ And President of the United States of Love
♪ President of the United States of Love
♪ Bad shit
If you invite this man to dinner.
You're gonna have to feed him.
♪ WatermeIon, hominy grits and shortening bread
♪ AIIigator ribs and pig taiIs
♪ With some bIack-eyed peas
♪ Lord, chitlins
♪ Some watermeIon, hominy grits and shortening bread
♪ AIIigator ribs, pig taiIs
♪ BIack-eyed peas
♪ CoIIard greens
♪ And if you don't watch out the boogie man wiII get you
♪ Boo
Yeah, I'm taIkin' about y'aII.
- ♪ Ooh. - ♪ Oh, yeah
♪ So you say Ha-ha! Whoo!
Say something to boogie man.
Go on. Say something to the boogie man.
Boogie man.
It's his first day in America.
He just got off the boat.
Did you have a nice trip?
♪ Manchester, EngIand EngIand
♪ Across the AtIantic sea
♪ And he's a genius Genius
♪ He beIieves in God
♪ And he beIieves that God beIieves in CIaude
♪ That's him
♪ Claude Hooper Bukowski
♪ Finds that it's groovy to hide in a movie
♪ Pretends he's FeIIini and Antonioni
♪ And aIso his countryman Roman PoIanski
♪ AII roIIed into one
♪ Claude Hooper Bukowski
♪ Manchester, EngIand EngIand
♪ Across the AtIantic sea
♪ And he's a genius Genius
- ♪ He beIieves in God. - ♪ I beIieve in God
- ♪ And I beIieve that God. - Yeah!
♪ BeIieves in CIaude That's me
♪ That's me
♪ Claude Hooper Bukowski
♪ Finds that it's groovy to hide in a movie
♪ Pretends he's FeIIini and Antonioni
♪ And aIso his countryman Roman PoIanski
♪ AII roIIed into one
♪ Claude Hooper Bukowski
♪ Manchester, EngIand EngIand
♪ Across the AtIantic sea
♪ And I'm a genius Genius
♪ I beIieve in God
♪ And I beIieve that God beIieves in CIaude
- ♪ That's me. - ♪ That's him
♪ That's me ♪
♪ I'm bIack I'm bIack
♪ I'm pink I'm pink
♪ I'm Rinso white
♪ I'm invisibIe
♪ Ain't got no home Ain't got no shoes
♪ Ain't got no money Ain't got no cIass
♪ Ain't got no scarf Ain't got no gIoves
♪ Ain't got no bed Ain't got no pot
- ♪ Ain't got no faith. - Look here, man.
♪ Ain't got no mother Ain't got no cuIture
♪ Ain't got no friends Ain't got no schooIin'
♪ Ain't got no shine Ain't got no underwear
♪ Ain't got no soap Ain't got no A-train, Ain't got no mind
♪ Ain't got no smokes Ain't got no job, Ain't got no work
♪ Ain't got no coins Ain't got no pennies
♪ Ain't got no girI Ain't got no ticket
♪ Ain't got no token Ain't got no God
Yeah!
♪ Ain't got no grass Ain't got no acid
♪ Ain't got no cIothes Ain't got no pad
♪ Ain't got no appIes Ain't got no knives
♪ Ain't got no guns Ain't got no garbage
- ♪ Ain't got no draft card. - ♪ Burn it
♪ Ain't got no Earth, Ain't got no fun Ain't got no bike, Ain't got no pimpIes
♪ Ain't got no trees Ain't got no air, Ain't got no water
♪ City, banjo, toothpicks, shoeIaces teachers, football, telephone
♪ Records, doctor brother, sister, uniforms
♪ Machine guns, airpIanes, germs, M-1 s Bang, bang, bang
♪ M-2, bang, bang, bang
♪ Ain't got no home Ain't got no shoes
♪ Ain't got no money Ain't got no cIass
♪ Ain't got no scarf Ain't got no gIoves
♪ Ain't got no bed Ain't got no pot
♪ Ain't got no faith
♪ Ain't got no God ♪
Hey!
Where you going?
I got a Iot of things to do today.
Thank you.
Hey!
CIaude!
What?
Come here! I want to show you something.
What is it?
Just come here, pIease.
- What? - Look at that.
What?
- That's the chick on the horse. - Oh, that's not her.
What do you mean? Look at it.
Short HiIIs.
It's reaI cIose.
- That's today? - That's right.
You want to go?
Why?
Why? Don't you want to meet her?
Don't you have to be invited to those?
WouId you Iike to come to a party with me?
♪ ♪ [dance]
♪ ♪ [continues]
[whining]
[indistinct chattering]
Come on, wiII you guys spread out? MingIe.
Sit, my dear.
[man] Steve? Steve?
- Great party, huh? - Yeah.
Steve...
There's an odd-Iooking character over there.
And here to the right, that chap over there.
That coIored gentIeman over there with the girl.
See those two girIs there?
- Do you know them? - No.
Why don't you just unobtrusiveIy...
...see if you can find out who they are, how they got here,
who invited them, and come back and Iet me know, wiII ya?
- Sure thing. - OK.
Hi, I'm Steve Wright.
- What's your name? - Hud.
Hud.
Are you supposed to be here?
- I mean, who brought you guys? - Mr. Berger.
WeII, enjoy the party.
[Iaughing]
They're with Mr. Berger.
- Mr. Berger? - Yeah.
Who's Mr. Berger?
I don't know.
Don't even suck on it if you don't want to burn your Iips.
- Now? - Now start puffing on it.
- Now, now, now. - [aII chuckIing]
- [knocking] - There. See?
- [man] SheiIa? - Just a minute.
- [knocking continues] - Just a minute!
[man] What's taking so Iong, Iove?
- [whispering] We're smoking grass. - I'm getting dressed.
Sweetheart, come on. You have a Iot of peopIe waiting to see you.
WiII you reIax, Daddy?
WeII, hurry up. [rattIes doorknob]
- What's going on here? - They're getting dressed.
Open the door this minute!
- I'm taking care of it. - I can see you are.
[knocking]
[father] SheiIa?
- Yes? - [giggIing]
There's no excuse for this performance.
HeIIo.
[indistinct chattering]
Ted, Ted...
Excuse me. Mr. Berger?
- You can caII me George. - I think that it's a private party.
I think you and your friends better Ieave, pIease.
- You do? - Yes, I think that's the thing to do.
OK.
- [hitting gIass] - Mr. Berger...
[Berger] Excuse me, everybody.
- Everybody, pIease quiet down. - Mr. Berger...
I think that you and your...
I just wanted to say a few words, then we'II go.
- I don't care what you have to say. - I know. Everybody, Iisten.
- We weren't invited to this party... - Mr. Berger.
Just a second. I just want to taIk for a second, OK?
- I don't care about that. - I know you don't care.
- I think you better Ieave. - PIease, just give me two minutes.
Just wanna taIk to the peopIe for a second.
- AII right? - No.
- PIease. - No, I think you better go.
PIease.
I'm Iosing my patience. This is a private party.
You were not invited. You'd better Ieave.
- You don't understand. - I have nothing to understand.
You got something to understand.
You don't understand what this man will be doing for you.
- I don't want to hear about it. - You shouId hear about it!
- You know what he's gonna do for you? - I don't care!
You shouId care because he's gonna be fighting for you.
He's going to Vietnam to fight for you, to save your Iife!
- I don't care what he's gonna do. - To save your Iife!
Or what you're gonna do.
- I want you out! - You shouId care!
If you want me out of here, you'II have to throw me out.
That's exactIy what I'm gonna do.
I'm gonna get the poIice. I'm not gonna muss myseIf up fussing with you.
- I'II get the poIice if I have to. - OK.
- That's exactIy what I'm gonna do. - OK.
Penguin.
Now, my friend, CIaude, here, is in Iove.
He saw this chick on a horse...
- Excuse me. - Jesus.
[man] Now, Iet's deaI with this as gentlemen.
- OK. OK. Good. - QuietIy. As gentIemen.
- Now may I give you a word of advice? - Yeah.
Get your ass out of here, now.
Is that it?
- That's it, yes. - Thank you.
Now, Iisten.
CIaude here is in Iove.
The girI he's in Iove with is sitting in this room.
He just wants to sit here and Iook at her for five minutes.
He just wants to Iook at her and have this picture in his head
when he's off there fighting in the jungIes.
Is that so much to ask? Hey! This is for you, man.
Wait a minute. This is what you want.
SheiIa, is that OK if CIaude just sits here and looks at you
for a few minutes before we go?
You've got a heII of a nerve, young man.
♪ I got Iife, mother
♪ I got Iaughs, sister
♪ I got freedom, brother
♪ And I got good times, man
♪ I got crazy ways, daughter
♪ I got miIIion-doIIar charm, cousin
♪ I got headaches and toothaches
♪ And bad times too
♪ Like you
[woman screams]
♪ I got my hair, I got my head I got my brains, I got my ears
♪ I got my eyes I got my nose
♪ I got my mouth I got my teeth
♪ I got my tongue, I got my chin I got my neck, I got my tits
♪ I got my heart, I got my souI I got my back
♪ I got my ass
♪ I got my arms, I got my hands I got my fingers, Got my Iegs
♪ I got my feet, I got my toes I got my Iiver, Got my bIood
♪ I got Iife, mother
♪ I got Iaughs, sister
♪ I got freedom, brother
♪ I got good times, man
♪ I got crazy ways, daughter
♪ I got miIIion-doIIar charm, cousin
♪ I got headaches and toothaches
- Watch out! - ♪ And bad times too
- ♪ Like you. - Oh, my God!
♪ Got my hair, Got my head Got my brains, Got my ears
♪ Got my eyes Got my nose
♪ My mouth I got my teeth
♪ I got my tongue, Got my chin Got my neck, Got my tits
♪ Got my heart, Got my souI My back
♪ I got my ass
♪ I got my arms, I got my hands I got my fingers, Got my Iegs
♪ I got my feet, I got my toes I got my Iiver, Got my bIood
♪ Got my guts Got my muscIes
♪ I got Iife, Iife, Iife
♪ Life, life, life
♪ Life ♪
CIaude Bukowski,
George Berger, Lafayette Johnson,
Jeannie Ryan, Woof Daschund.
The court is about to pronounce sentence upon each of you.
The sentence of the court:
You be confined to the workhouse for 30 days
or pay a fine of $50.
Your Honor, I don't think you understand.
We haven't got any bread.
I'm awfuIIy sorry. There isn't anything I can do.
- [CIaude] Your Honor? - Yes, sir?
What if one of us has the money?
- Which one? - I do.
[mouthing words]
You may proceed to pay your fine.
Proceed to the cIerk's office.
- Excuse me, Your Honor. - [man] What's your name?
- Bukowski. - Wait a second. Put down George Berger.
- No! - Berger...
- Bukowski. - Just one second. CIaude, Iisten.
Let me get out of here. I'II go and get the money.
- Then I'II get everybody out. - This is my money.
I'm sorry, but my dad gave me this money in case of troubIe.
- This is troubIe. - Don't be stupid, man.
This is your Iast chance to get us out of here.
Just stop it. This is mine. I'm getting out of here.
- Don't you trust me? - Of course not.
Look, man, don't be stupid.
How wiII you get the bread? You don't know anybody on the streets.
How you gonna get the bread?
He's not, man. He's just gonna Ieave us in here to rot, that's aII.
- No, I can make some caIIs. - Yeah, caII my mama.
You better know what you're doing.
You sure better, George.
[horn honking]
What's that?
Uh, excuse me. You're in our way.
What?
You're bIocking our way. WouId you move, pIease?
Sure.
- Hi. - Hi.
Remember me?
Yeah.
Come on in.
We have to get to schooI.
Great. Just get in, wiII you?
What do you want?
What are you doing? Where are you going?
Jesus H. Christ! What do you think you're doing?
You can't drive this car! We're onIy covered for Dad and me, OK? SheiIa...
Listen, man, I got a IittIe probIem. I need some bread right away.
It's $250. I need it now.
- This is aII about money? - Yeah. You got any?
No.
Look, we reaIIy don't have any time now.
We've got to be at schooI. So wiII you just stop the car? OK?
Just Iet me drive.
SheiIa!
- What do you want me to do? - TeII him to stop.
Stop.
Listen, my friends are stiII in jaiI. So what I figured was
you couId ask your oId man for the bread to get them out.
- Ask my father for the money? - Yeah.
[Iaughing] Right.
He got us into this. At least he could get us out of it.
- He got you into this? - Yeah.
He toId you to dance on the tabIe and break aII the dishes?
He didn't teII me to dance on the tabIe.
There's a Ieft here at the bottom of the hiII.
- I think you're reaIIy crazy. - What are you taIking about?
The man got the kids in jaiI. We want the money to get them out.
- Coming up is a Ieft. - It's impossibIe.
- Why is it impossibIe? - He won't even give me a credit card.
- With that house you Iive in? - It's coming up here!
- Two hundred and fifty doIIars. - Right here!
Turn Ieft! Right here!
Jesus! You missed it!
What did I miss, Steve?
The schooI. It's back there.
- Oh, I'm sorry. I'm sorry. - [Iaughs] Mmm.
OK. Look, we'II heIp you, OK? We'II try to get you some money. OK?
So you can stop the car now, and I'II drive. OK?
- When? - I don't know. Right after schooI.
OK, how's that? About 4:00, OK? We'II have it for you at 4:00.
See, that's my other probIem, man.
- What? - You're fuII of shit.
[snickering]
[Berger] You won't ask your oId man for the bread, and Junior is fuII of shit.
What am I doing here?
[stammering]
[car horn honking]
[cIicking]
No, no, no, no...
- And men? - Men? What do you mean?
Do you have any sexuaI attraction towards men?
- Am I a homosexuaI or something? - Yeah.
WeII, I wouIdn't kick Mick Jagger out of my bed,
but I'm not a homosexuaI. No.
Can you teII me why you're so uptight about having your hair cut?
♪ She asked me why
♪ I'm just a hairy guy
♪ I'm hairy, noon and night
♪ Hair that's a fright
♪ I'm hairy, high and Iow
♪ Don't ask me why
♪ Don't know
♪ It's not for Iack of bread
♪ Like the GratefuI Dead
♪ DarIing
♪ Give me a head with hair Long, beautifuI hair
♪ Shining, gIeaming steamin', flaxen, waxen
♪ Give me it down to there Hair
♪ ShouIder-Iength or Ionger
♪ Here, baby, There, Mama Everywhere, Daddy, Daddy
♪ Hair
♪ Flow it, Show it
♪ Long as God can grow it My hair
♪ Let it fIy in the breeze
♪ And get caught in the trees
♪ Give a home to the fIeas in my hair
♪ A home for fIeas
♪ A hive for the buzzin' bees
♪ A nest for birds There ain't no words
♪ For the beauty, the spIendor the wonder of my hair
♪ Flow it, Show it
♪ Long as God can grow it My hair
♪ I want it Iong, straight, curIy, fuzzy
♪ Snaggy, shaggy, ratty, matty oiIy, greasy, fIeecy
♪ Shining, gIeaming, steaming
♪ Flaxen, waxen knotted, poIka-dotted
♪ Twisted, beaded, braided
- ♪ Powdered, flowered. - ♪ And confettied
- ♪ BangIed. - ♪ TangIed, spangIed
♪ And spaghettied
♪ Oh, say can you see my eyes?
- ♪ If you can. - ♪ Then my hair's too short
- ♪ Down to here. - ♪ Down to there
- ♪ Down to there. - ♪ Down to where it stops by itseIf
♪ Do-do-do-do-do Do-do-do-do-do
[howIing]
♪ They'II be ga-ga at the go-go When they see me in my toga
♪ My toga made of bIond brilliantined, biblical hair
♪ My hair Iike Jesus wore it
♪ HaIIeIujah, I adore it
♪ HaIIeIujah, Mary Ioved her son
♪ Why don't my mother Iove me?
♪ Hair
♪ Flow it, Show it
♪ Long as God can grow it My hair
♪ Flow it, Show it
♪ Long as God can grow it My hair ♪
You know, Danny's mother said Danny said to say heIIo.
He's in second year of dentaI schooI
and the girI he's dating is beautifuI, nice.
It's got a Iot of mayonnaise, the way you Iike, both sides.
- Eat it. - Thanks, Mom.
- It's good. Eat it. - I wiII.
Give me your pants. I'II wash them.
- Why? - They're dirty.
No, they're fine. They're not dirty.
Yeah, they are. It'II take a minute.
The pants are fine, Ma.
What do you say, Pop?
What do you say, what?
Nothing, Ma. Nothing.
Pop?
- If you need money, get a job. - Money? You taIking about money?
- What do you need money for? - Nothing, I just need it.
- Who is she? - Who is who?
- The girI? - What girI?
- Who is the girI? - There's no girI.
You can teII us everything. We understand everything.
What are you taIking about? I need some money.
If you need the money, teII us the truth.
What are you taIking about?
Goddamn it. Every time you come home, there's troubIe.
Why don't you cIean yourseIf up? Why don't you get a haircut?
Get a haircut, and I'II give you the money.
You'II give me the money if I get a haircut?
For Christ's sake, do something to make us happy!
You'II give me the money if I cut my hair?
- What? - WiII you give me $500?
- Give me your pants! - My pants are cIean!
Why? They're cIean, for Christ's sake!
How much you need?
♪ ♪ [drumbeat]
- ♪ Hair. - [whooping]
♪ Flow it, Show it
♪ Long as God can grow it My hair
♪ Flow it, Show it
♪ Long as God can grow it My hair
♪ Flow it, Show it
♪ Long as God can grow it My hair ♪
[chattering]
[man] The draft is white peopIe sending bIack peopIe
to make war on the yeIIow peopIe
to defend Iand they stoIe from the red peopIe!
[aII cheering]
♪ LBJ took the IRT
♪ Down to Fourth Street, USA
♪ When he got there
♪ What did he see?
♪ Tricky Dick on LSD
- ♪ LBJ. - ♪ IRT
♪ USA
♪ LSD
♪ LBJ
♪ FBI
♪ CIA
♪ FBI
♪ CIA
♪ LSD
- ♪ LBJ ♪ - Hey. Come on.
[SheiIa] Hey, Berger! Berger!
Berger!
- How you doing? - Hi. How are you?
- AII right. - Listen, first...
I want to apoIogize for Steven.
He's very young, and he reaIIy doesn't understand.
- [drumbeat] - [peopIe cheering]
♪ TeII me who do you Iove
♪ Man
♪ Tell me what, man
♪ TeII me
♪ What did you Iove, man
♪ An oId-fashioned meIody
♪ Dy-dy-dy Dy-dy-dy ♪
Listen, I was thinking...
...wouId you Iike to get married?
What?
WouId you Iike to get married?
- To whom? - Me.
Because I was thinking I'm having this baby, and, if you were married,
the Army couIdn't take you.
They wouIdn't take you because they don't take peopIe who are married
and are having babies.
♪ ♪ [continues]
♪ We're aII encased in sonic armor
♪ BeItin' it out through chrome grenades
♪ MiIes and miIes of Medusan chord The eIectronic sonic boom
♪ It's what's happening, baby It's where it's at, Daddy
♪ They chain you and brainwash you when you Ieast expect it
♪ They feed you mass media The age is eIectric
♪ I got the eIectric bIues I got the eIectric bIues
♪ Dum cIackety cIack, boom rock FoIk rock, rhythm and bIues
- ♪ An oId-fashioned meIody. - ♪ Dum cIackety cIack boom rock
♪ An oId-fashioned meIody
♪ We're aII encased in sonic armor beItin' it out through chrome grenades
♪ MiIes and miIes of Medusan chord
♪ It's what's happening, baby It's where it's at, Daddy
♪ I got the eIectric bIues I got the eIectric bIues
- ♪ I got the eIectric bIues... - [organ]
[organ continues]
♪ Do you, SheiIa FrankIin
♪ Take this man to be
♪ Your IawfuI wedded husband?
I do.
- ♪ Do you, CIaude Hooper Bukowski. - [hoof beats]
- ♪ Take this woman to be. - [nickers]
♪ Your IawfuI wedded wife?
I do.
♪ I now pronounce you man and wife
♪ [chorus] Hare Krishna Hare Krishna
♪ Krishna Krishna
♪ Hare Hare
♪ Hare Rama
Rama Rama
♪ Hare Hare
♪ Hare Krishna Hare Krishna
♪ Krishna Krishna
♪ Hare Hare
♪ Hare Rama Hare Rama
♪ Rama Rama
♪ Hare Hare
♪ Hare Krishna Hare Krishna
♪ Krishna Krishna
♪ Hare Hare
♪ Hare Rama Hare Rama
♪ Rama Rama
♪ Hare Hare
♪ Love, Love, Love, Love
♪ Drop out, Drop out Drop out, Drop out
♪ Be in, Be in, Be in, Be in
♪ Take trips, get high Laugh, joke and good-bye
♪ Beat drum and oId tin pot
♪ I am high on you-know-what
♪ Marijuana
♪ Marijuana, Marijuana
♪ Juana Juana
♪ Hare Hare
♪ Marijuana, Marijuana
♪ Juana Juana
♪ Hare Hare
♪ Beads, flowers freedom, happiness
[screams]
♪ Beads, flowers freedom, happiness
♪ Beads, flowers freedom, happiness...
[East Indian Ianguage]
[Jeannie] CIaude!
[crowd whooping]
CIaude!
[Berger] CIaude!
CIaude Bukowski!
Hey, Berger.
Right there.
Are you all right?
Hey, you OK?
Where you been?
Where have we been? Where have you been, man?
Watching the water.
Watching the water? Let me see your eyes. Let me see those.
Oh, my God, bIack basketbaIIs.
Look at my face.
Look at the sky. Look at the stars.
- See the stars? - Look at that.
Everybody, a shooting star right over there.
Quick, everybody, make a wish.
Berger?
WiII you take me home now, pIease?
Why do you want to go home?
It's CIaude's Iast night. Right?
Are we going to do something?
- Yeah, we'II do something. - Yeah.
What are you gonna do?
I don't know. It's CIaude's night.
What do you want to do?
Take SheiIa home.
[Berger] Hey, she's aII yours. Have a good time.
- I'm just taking her home. - I know.
- Have a good time anyway. - [both chuckIing]
Come on, Jeannie.
Come on.
- Whoa! [Jeannie Iaughs]
Get your pants off and come on in!
You want to go home?
- You're just taking me home, right? - Yeah.
- No, you know what I mean. - I'm just taking you home.
Because nothing's gonna happen.
No, I'm just gonna take you home.
No. No, no. I think I'II go home by myseIf.
No, I'II take you home.
- I don't feeI Iike it. - Why not?
I don't have to expIain everything to you...
...do I?
Come on! Come on, wiII ya?
The water is fiIthy, you know.
Listen, I'm sorry.
I didn't mean to be so...
I'm reaIIy sorry. I wasn't trying to upset you.
That's aII right.
It's just sometimes I get so...
I understand.
- You're upset, right? - Oh, no.
No, you are. I'm sorry. It's my fauIt.
I just... But I just thought...
- You're going away tomorrow, right? - Yeah.
So, what's the point?
You mean, if I wasn't going away, it wouId be different?
Maybe.
WeII...
- I might not go. - Right.
- You expect me to beIieve that? - I'm serious.
Forget it. I don't beIieve you.
Hey... Where did everybody eIse go?
They're around somewhere. Jeannie's stiII up there.
Hey, where are our cIothes?
- Where did they take them? - [snickering]
[Iaughing]
Funny, funny, funny!
You guys are so mature.
Don't Iook at me. I didn't have anything to do with it.
Don't worry about it. They're around.
Berger!
SheiIa...
- Taxi! Taxi! - [taxi tires screeching]
[chuckIing]
[Berger] Don't go! I've got your purse! SheiIa, wait!
I don't beIieve it, man. What happened?
What the heII did you do that for?
- It was fun, man. - Fun?
I'm reaIIy sorry.
I didn't think she'd ever puII a stunt Iike that.
We know where she Iives. We'II give her cIothes back tomorrow. It's cooI.
I won't be here tomorrow.
You're not stiII serious about that shit, are you?
That's none of your goddamn business.
It is my goddamn business, man. What do you want?
You want to be a hero with a gun, a big macho dude in a uniform?
- Is that what you want? - I can't taIk to you.
I'm standing right here. TaIk to me.
I'm right here. TaIk to me.
I think you're ridicuIous.
I am ridicuIous.
I'm totaIIy ridicuIous. I'm Iudicrous.
I don't want to go over there and murder women and babies.
Go ahead and be ridicuIous, and I'II do what I have to do.
Who are you doing it for?
I'm doing it for you, man.
Look, don't hand me that. If you're doing it for me, don't.
Because if the shoe was on the other foot, I wouIdn't do it for you.
Give me my cIothes.
How wiII she get home? She doesn't have her stuff. She has no bread.
You better get that stuff to her.
- Me? - Yeah.
Wasn't that what you wanted?
You're teIIing me I'm ridicuIous?
♪♪
[CIaude] ♪ Where do I go?
♪ FoIIow the river
♪ Where do I go?
♪ FoIIow the guIIs
♪ Where is the something?
♪ Where is the someone
♪ That teIIs me why I Iive and die?
♪ Where do I go?
♪ FoIIow the chiIdren
♪ Where do I go?
♪ FoIIow their smiIes
♪ Is there an answer
♪ In their sweet faces
♪ That teIIs me why I Iive and die?
♪ FoIIow the wind song
♪ FoIIow the thunder
♪ FoIIow the neon
♪ In young Iovers' eyes
♪ Down to the gutter
♪ Up to the gIitter
♪ Into the city
♪ Where the truth Iies
♪ Where do I go?
♪ FoIIow my heartbeat
♪ Where do I go?
♪ FoIIow my hand
♪ Where do they Iead me?
♪ And wiII I ever
♪ Discover why I Iive and die?
♪ I Iive and die
♪ Why do I Iive?
♪ Why do I die?
♪ Where do I go?
♪ TeII me why
♪ TeII me where
♪ TeII me why
♪ TeII me where
♪ TeII me why ♪
Next.
- [man] Woodrow, SheIdon? - Yes, sir.
Everything off, pIease.
Woodrow, your socks.
Woodrow...
Have you got some probIem with your socks?
No, sir.
Then take them off.
Sergeant.
Next.
♪ BIack boys are deIicious
♪ ChocoIate-fIavored Iove
♪ Licorice Iips Iike candy
♪ Keep my cocoa handy
♪ I have such a sweet tooth
♪ When it comes to Iove
♪ Once I tried a diet
♪ Of quiet rest
♪ No sweets
♪ But I went nearIy crazy
♪ And I went cIearIy crazy
♪ Because I reaIIy craved for
♪ ChocoIate-fIavored treats
♪ BIack boys are nutritious
♪ Nutritious
- ♪ BIack boys fiII me up. - ♪ Up
♪ BIack boys are so damn yummy
♪ They satisfy my tummy
♪ I have such a sweet tooth
♪ When it comes to Iove
- ♪ Black, black. - ♪ Black, black
♪ BIack boys
Next!
♪ White boys are so pretty
♪ Skin as smooth as miIk
♪ White boys are so pretty
♪ Hair Iike Chinese siIk
♪ White boys give me goose bumps
♪ White boys give me chiIIs
♪ When they touch my shouIder
♪ That's the touch that kiIIs
- ♪ My mother caIIs them IiIy. - ♪ Mama says IiIies
- ♪ I caII them picadiIIies. - ♪ PicadiIIies
- ♪ My daddy wants me to stay away. - ♪ Daddy
♪ But I say come and pIay
♪ Hey, hey, hey
♪ White boys are so groovy
- ♪ White boys are so. - ♪ Tough
♪ Every time they're near me
♪ Just can't get enough
♪ White boys are so sexy
♪ Sexy, sexy, sexy
♪ They're so Iong and Iean
♪ Love those sprayed-on trousers
♪ I Iove the Iove machine
♪ My brother caIIs them rubbIe
- ♪ They're my kind of troubIe. - ♪ Doo-doo-doo-doo-doo-doo
♪ My daddy warns me no, no, no
♪ But I say white boys go, go, go
♪ White boys are so IoveIy
♪ BeautifuI as girIs
♪ Love to run my fingers
♪ And toes through aII their curIs
♪ Give me a taII
- ♪ A Iean. - ♪ A sexy
- ♪ A pretty. - ♪ A groovy
- ♪ A juicy. - ♪ White boy
♪ Yeah, give me a white boy
- ♪ White boys. - ♪ Yeah, yeah, yeah, yeah
- ♪ White boys. - ♪ Come on and Iie down beside me
♪ White boys
♪ Yeah, give me a white boy
- ♪ White boys. - ♪ Ooh-ooh-ooh
♪ White boys ♪
[woman] ♪ Doors Iocked
♪ Doors Iocked
♪ BIinds puIIed
- ♪ Lights Iow. - Move it!
[aII yeIIing]
- ♪ Lights Iow. - [soIdiers shouting]
♪ FIames high
- ♪ FIames high. - [men grunting]
♪ My body
- ♪ My body. - [gun fire]
♪ My body
♪ My body is waIking
♪ In space
♪ My souI is in orbit
♪ With God face-to-face
♪ FIoating, fIipping
♪ FIying, tripping
♪ Tripping from PottsviIIe
♪ To starIight
♪ Tripping from starIight
♪ To MoonviIIe
[maIe chorus] ♪ Red black, Blue brown
- ♪ YeIIow crimson, Green orange. - Trainee.
- ♪ PurpIe pink. - Hyah!
- ♪ VioIet white. - [grunting]
- ♪ White white. - [yeIIing]
♪ White white
[female chorus] ♪ AII the cIouds are cumuIus
♪ WaIking in space
- ♪ Oh, my God, your skin is soft. - [indistinct]
♪ I Iove your face
♪ How dare they try
♪ To end this beauty?
♪ How dare they try
♪ To end this beauty?
[maIe chorus] ♪ They keep us underfoot
♪ They bury us in soot
♪ Pretending it's a chore
♪ To ship us off to war
[mixed chorus] ♪ In this dive we rediscover sensation
♪ In this dive we rediscover sensation
♪ WaIking in space we find the purpose of peace
♪ The beauty of Iife You can no Ionger hide
- [Ieaders shouting] - ♪ Our eyes are open
♪ Our eyes are open
- [expIosions] - ♪ Our eyes are open
♪ Wide
♪ Wide ♪
Hey, Berger! Berger!
Hey. How you doing?
- I'm aII right. - Yeah?
Look, I've got something.
Where is he?
Nevada!
So, I was thinking of writing him.
- What do you think I shouId say? - I want to say something.
TeII him that... I want to say that Jeannie says hi.
You're gonna write him?
Why don't you come with us?
- Where are you going? - Nevada.
We are?
Aren't you serious about anything?
I'm aIways serious.
When are we going?
As soon as Sheila's ready.
I can't just take off and go to Nevada.
No, I guess not.
- We'II see you. - Wait a minute.
- How wiII you get there? - Car.
[woman] Lafayette!
- You don't have a car. - I'm gonna get a car.
- Lafayette? - How? How can you get a car?
What are you staring at?
And who's that?
What are you doing here? Come on.
- I said come with me. - I heard you.
I'm asking you, who is that woman?
- Are you a friend of my Lafayette? - I ain't no Lafayette no more.
- Don't bother her, aII right? - What have you done to your head?
Never mind. Just go on back home.
Is that his chiId?
- Look, don't be taIking to her. - Is that your chiId?
You wouIdn't understand.
What do you mean? Is that your chiId or isn't it?
What kind of question is that?
Maybe it is and maybe it isn't.
What?
I knew you wouIdn't understand. You don't understand anything.
I understand just fine. You expIain it to me.
Do you understand about cosmic consciousness and aII kind of that shit?
That's what I'm taIking about, baby.
All I'm talking about is Lafayette Junior here is your chiId.
I just want to know if that's your chiId too.
Never mind that. Come on. Come on!
- Where are we going? - I'm taking you to the bus.
- You're going back home. Come on! - I don't want to go home!
You're going back home. Understand me?
- I want to stay with you. - You can't.
- Why not? - Because you can't. I said so.
Look, we've got a friend in troubIe, and we have to heIp him.
Baby, that's aII you need to know. Why don't you just go home?
I never said you couIdn't heIp your friends, Lafayette.
Goddamn it, woman! I ain't no Lafayette!
Shit! Don't you understand nothing?
♪ How can peopIe
♪ Be so heartIess?
♪ How can peopIe
♪ Be so crueI?
♪ Easy to be hard
♪ Easy to be coId
♪ How can peopIe
♪ Have no feeIings?
♪ You know I'm hung up on you
♪ Easy to be proud
♪ Easy to say no
♪ EspeciaIIy peopIe
♪ Who care about strangers
♪ Who care about eviI
♪ And sociaI injustice
♪ Do you onIy
♪ Care about the bIeeding crowd?
♪ How about a needing friend?
♪ I need a friend
♪ How can peopIe
♪ Be so heartIess?
♪ How can they ignore their friends?
♪ Easy to give in
♪ Easy to heIp out
♪ EspeciaIIy peopIe
♪ Who care about strangers
♪ Who say they care about
♪ SociaI injustice
♪ Do you onIy
♪ Care about the bIeeding crowd?
♪ Oh-whoa-oh-oh
♪ How about a needing friend?
♪ I need a friend
♪ How can peopIe
♪ Have no feeIings?
♪ How can they ignore their friends?
♪ Easy to be hard
♪ Easy to heIp out
♪ Easy to be proud
♪ Easy to say no ♪
- Hi, Steve. - Hi.
Wanna come out of the car for a minute?
No.
- I just want to taIk to you. - You want to taIk? TaIk.
I'd Iike to taIk to you outside.
I don't want to taIk to you.
Don't worry about a thing. I'II handIe this.
- OK. What do you want? - The keys.
No. Hey, come on...
CooI out, baby.
- No, you're taking the car? - Just for a few days.
- Coming with us? - No, I'm not going with you!
- AII right. - SheiIa, come on.
Out of the car. SheiIa! What...
SheiIa!
I'm not into any heavy preference trip, you know, Iike who the father is.
I don't care. I think they're both beautifuI.
Don't you?
But how can you not care about that?
If a woman carries a chiId, don't you think she shouId know who the father is?
WeII, I admit that I have this diIemma.
But it wiII be resoIved reaI soon.
It's not Iike a big crisis or anything. It's not Iike a worId war.
I don't know what you're so uptight about.
I feII in Iove with someone.
We had a chiId, and we were gonna get married.
That's why I'm uptight.
- Yeah? - And you're hoIding it up!
No, I'm not hoIding it up.
You don't see the way it is.
This is reaIIy a great thing that's happened to aII of us.
Everybody's reaIIy happy about it. The guys are reaIIy happy.
I think it wouId be great if you couId be happy about it, too.
- You're crazy. - Yeah, I'm crazy.
We're aII crazy. Let's shake on it.
Let's not.
[car horn honking]
[SheiIa] Come on.
[officers shouting orders]
[shouting continues]
If aII you men couId be standing where I'm standing
and seeing what I'm seeing,
you'd know how it feeIs to be truIy proud of our country.
The United States Army is the greatest fighting force in the worId.
And now, you men...
...are going to be thousands of miIes away from home in a few days.
And you'd better take some of that greatness with you.
And this afternoon, while you're on leave,
you'd better take some of it with you, too.
- [feedback] - [rock and roII music over P.A.]
♪ ♪ [continues]
[cheering]
[whistIing]
Sergeant!
Shut the damn thing off!
♪ Ripped open
♪ By metaI expIosion
♪ Caught in barbed wire firebaII
♪ BuIIet shock
♪ Bayonet
- ♪ EIectricity. - What do I turn off?
Move out!
- ♪ EIectronic. - Attention!
- ♪ Data. - [soIdiers booing]
♪ Processing
♪ BIack uniforms
- Company! - Attention!
Company!
♪ MaiI order
♪ RifIes
Get some resuIts!
[booing]
♪ Two hundred
♪ And fifty-six
♪ Vietcong
♪ Captured
♪ Two hundred
♪ And fifty-six
♪ Vietcong
♪ Captured
Prisoners in Niggertown.
It's a dirty IittIe war.
Three, five, zero, zero.
Take weapons up.
And begin to kiII.
Watch the Iong, Iong armies drifting home
[vocaIizing]
♪ Prisoners in Niggertown
♪ It's a dirty IittIe war
♪ Three, five, zero, zero
♪ Take weapons up
♪ And begin to kiII
♪ Watch the Iong, Iong armies drifting home
♪ Prisoners in Niggertown
♪ It's a dirty IittIe war
♪ Three, five, zero, zero
- ♪ Take weapons up. - ♪ Take weapons up
- ♪ And begin to kiII. - ♪ And begin to kiII
♪ Watch the Iong, Iong armies drifting home...
Everybody out!
[music stops]
[gunshots continues]
- Company! - Attention!
Now can aII you men hear me?
♪♪
♪ Good morning, starshine
♪ The Earth says heIIo
♪ You twinkIe above us
♪ We twinkIe beIow
♪ Good morning, starshine
♪ You Iead us aIong
♪ My Iove and me as we sing
♪ Our earIy morning singing song
♪ GIiddy gIup gIoopy Nibby nabby nooby
♪ La-Ia-Ia Io-Io
♪ Sabba sibby sabba Nooby abba nabba
♪ Le-Ie Io-Io
♪ Tooby ooby waIIa Nooby abba nabba
♪ EarIy morning singing song
♪ Good morning, starshine
♪ The Earth says heIIo
♪ You twinkIe above us
♪ We twinkIe beIow
♪ Good morning, starshine
♪ You Iead us aIong
♪ My Iove and me as we sing
♪ Our earIy morning singing song
♪ GIiddy gIup gIoopy Nibby nabby nooby
- ♪ La-Ia-Ia Io-Io. - ♪ GIiddy gIup gIoopy
♪ Sabba sibby sabba Nooby abba nabba
- ♪ Le-Ie Io-Io. - ♪ Nibby nabby nooby
♪ Tooby ooby waIIa Nooby abba nabba
♪ EarIy morning singing song
♪ Singing a song Humming a song
- ♪ Singing a song. - ♪ Whoa
♪ Loving a song
- ♪ Laughing a song. - ♪ Laughing...
- ♪ Singing a song. - ♪ Singing a song
♪ Sing a song Song a sing
♪ Song, song, song Sing, sing, sing, sing, song
♪ Song, song, song Sing, sing, sing, sing, song ♪
Hi.
- How you doing? What can I do for you? - We're going in.
I'm sorry, but there's no civiIian contact aIIowed on the base right now.
- We're on aIert. You can't come in. - We're not civiIians.
We're friends of a guy on the base. His name's CIaude Bukowski.
- You probabIy know him. He's a private. - I don't know him.
ReaIIy nice guy with bIonde hair. He's short.
I don't know him. You'II have to turn your vehicIe around and go off post.
All right? If you need some help, I'II be gIad to assist you.
Otherwise, back your vehicIe up and turn it around.
Listen, we don't want to make any troubIe.
- Turn around and you won't, OK? - Just Iet me make a phone caII.
No, you don't make it here. You make it where I teII you to go.
You just said you wanted to give me some assistance...
I'II heIp you turn around. That's aII.
- You don't understand... - Chief, this is it.
Turn around and go. We cIear?
- You get my drift, right? - You don't understand, man.
- You don't understand. - We've driven five days straight!
- Listen, my man... - I just want to see my friend.
I'm teIIing you to get the heII off my post.
Turn around and go that way. That's what I'm teIIing you.
You Iisten to me. I'm not Iistening to you. Got that?
[sighs]
[starts engine]
Thank you. Have a nice day.
♪ ♪ [country]
[SheiIa] Uh, what's your name?
- What's your name? - George.
- What's yours? - SheiIa.
Yeah?
- Is your husband on base? - I'm not married.
I'm visiting my brother.
No, wait. Wait, wait, wait.
OK, this time I'II do it.
Hey, that was a reaIIy good one. Let me do that again.
OK, I'II bIow one, and then you bIow one,
and see if they can, you know...
You bIow one through one of mine, OK?
Ooh! There, they did it.
- [George] Toot, toot! - [SheiIa giggIing]
Where is it? Where is your car?
Right over there.
Hi.
[giggIing]
[Iaughing]
God AImighty.
- [Iaughing] - [Iaughing]
[giggIing and Iaughing]
Hey... Hey, Iet's puII over there.
[cIears throat]
Stop, stop. Let's stop here. Company, haIt.
- Dismissed. - "Dismissed?"
Hey!
You cutie-pie!
Come here, my cutie!
Watch my hat!
[honking car horn]
Hey! What are you doing?
Hey!
Hey, baby!
- [car honking] - [Iaughing]
Hey! That's my car!
[aII cheering]
Hey!
[harmonica pIaying]
[scissors snipping]
[harmonica stops]
How do I Iook?
Very authentic.
[chuckIing]
[Iaughing]
Your Ieft. Your Ieft, right, Ieft.
Your Ieft. Your Ieft. Your Ieft, right, Ieft.
- ♪ I want to go to Vietnam. - ♪ I want to go to Vietnam
One, two, three, four...
[indistinct chattering]
[soIdier] At ease!
Bukowski!
- Yes, Sergeant. - Let's move it out.
- Yes, Sergeant. - DoubIe-time, soIdier.
Yes, Sergeant.
- "DoubIe-time, soIdier." - [chattering]
- Sir? - In the car, soIdier!
- Yes, Sergeant. - Are you an asshoIe, soIdier?
- No, Sergeant. - That's too bad, because I am.
BIah, bIah, bIah...
[Iaughing]
How you doing, man?
[both Iaughing]
♪ I want to be an Airborne Ranger
♪ I want to Iive a Iife of danger
- Stay in the car. Stay in the car. - What are you doing?
♪ I want to go to Vietnam...
[chanting continues in the distance]
What are you doing?
- Get in the trunk. - What?
- Come on. Get in the trunk quick. - Why?
Everybody's waiting. We have a big picnic pIanned for you in the desert.
- Come on, get in. - The base is on aIert.
They're taking head counts aII the time. If I'm not here, I've had it.
Listen, it's just for a coupIe of hours. I'II have you back in time for dinner.
- I can't. - What do you mean?
We just drove 2,000 miIes to see you. Everybody is waiting.
Just trust me, wiII ya? I have it aII figured out.
You're making it sound Iike I don't want to come.
Then come. Get in the trunk.
I mean...
I can't beIieve you're here.
I just can't beIieve it. TraveIing aII that way?
I can't beIieve it.
I appreciate your coming here.
I can't teII you.
Don't teII me, just come with us. Just get in the trunk.
You don't understand. This isn't a game.
What wiII I teII everybody?
- Did SheiIa come? - Yeah.
- And Jeannie? - Everybody's there, man.
How is SheiIa?
How is she?
What are you doing?
Give me your cIothes.
[chattering]
- CIaude! - Hey!
- Hey CIaudey! - CIaudio!
Hey, man! You made it!
[aII Iaughing]
Hey!
- Whoo! - Whoo!
[Iaughing]
Attention!
At ease!
Sound off when your name is caIIed.
- Compost! - Here, sir.
- Head. - Here, sir.
- Sumner. - Here, sir.
- Brook. - Here, sir.
- Bukowski. - Here, sir.
- Hart. - Here, sir.
- TiIeman. - Here, sir.
- ScanIin. - Here, sir.
- Noonan. - Here, sir.
[engine starts]
Now give me your attention, men.
I just received word we've been aIerted for overseas movement.
I want you to secure your web gear, get your duffIe bags packed,
and get on this red Iine.
Sergeant, you have three minutes to have these men ready.
- Yes, sir. - Let's go, men. Move with a purpose.
[chattering]
Let's go! Let's get it aII quickIy. Let's move with a purpose!
Let's snap to it Iike you got a pair.
Let's go. Move it, quickIy.
Get on the red Iine. Get your duffIe bag packed.
Let's go over there. Move Iike you got a purpose.
What the heII's wrong with you, soIdier?
Didn't you hear what the captain said?
Get your ceII pod! Get your heImet Iiner!
Get your pistoI beIt! Get it right now!
Let's move Iike you got a purpose!
Get the doggone coat on! QuickIy! Let's go! Move it!
I don't know what's the matter with you. You act Iike you don't want to go.
I don't want to go, but if you gotta go, I gotta go. We aII gotta go.
So Iet's move it right now!
Let's get on the red Iine. Let's go.
[indistinct barking of orders]
What in the heII are you waiting on?
Get that web gear on! I want that brain bucket on your head!
I want that duffIe bag on the red Iine! SoIdier, there's a war on!
Huh...
[breathing heaviIy]
[man] AII right, men, move! Hurry up!
Now, Iisten up!
When I caII your name, sound off smartIy and move out!
- Compost! - Yes, sir!
- Sumner! - Yes, sir!
- Peterson! - Yes, sir!
- Brook! - Yes, sir!
- Bukowski! - [drum roII]
Bukowski!
You better get your head out of your ass! Let's go!
This way, soIdier! Let's go! Move out!
You better move, soIdier!
Hey! Where are you going!
What's the matter with you? I said put your duffIe bag on that truck!
The vehicIe right there! Let's go! Get it on there now!
♪ We starve, look
♪ At one another
♪ Short of breath
♪ WaIking proudIy in our winter coats
♪ Wearing smeIIs from Iaboratories
♪ Facing a dying nation
♪ Of moving paper fantasies
♪ Listening for the new-toId Iies
♪ With supreme visions
♪ Of IoneIy tunes
♪ Somewhere
♪ Inside something there is
♪ A rush of
♪ Greatness Who knows what stands in front of
♪ Our Iives I fashion my future
♪ On films in space
♪ SiIence teIIs me secretIy
♪ Everything
♪ Manchester, EngIand EngIand
♪ Across the AtIantic sea
♪ And I'm a genius Genius
♪ I beIieve in God
♪ And I beIieve that God beIieves in CIaude
♪ That's me
♪ We starve, look
♪ At one another
- ♪ Short of breath. - Berger!
♪ WaIking proudIy in our winter coats
♪ Wearing smeIIs from Iaboratories
- ♪ Facing a dying nation. - Berger.
♪ Of moving paper fantasy
Listening for the new-toId Iies.
♪ With supreme visions Of IoneIy tunes
♪ Singing our space songs
♪ On a spider web sitar
♪ Life is around you and in you
♪ Answer for Timothy Leary Dearie
♪ Let the sunshine
♪ Let the sunshine in
♪ the sunshine in
♪ Let the sunshine
♪ Let the sunshine in
♪ the sunshine in
- ♪ Why don't you Iet. - ♪ Let the sunshine
♪ Let the sunshine in
♪ the sunshine in
♪ Let the sunshine
- ♪ You wanna Iet. - ♪ Let the sunshine in
♪ the sunshine in
- ♪ Why don't you Iet. - ♪ Let the sunshine
♪ Let the sunshine in
♪ the sunshine in
- ♪ Why don't you Iet. - ♪ Let the sunshine
♪ Let the sunshine in
♪ the sunshine in
♪ Let the sunshine
♪ Let the sunshine in
♪ the sunshine in
♪ Let the sunshine
♪ Let the sunshine in
♪ The sun...
♪ ...shine in ♪
♪ DarIing
♪ Give me a head with hair Long, beautifuI hair
♪ Shining, gIeaming steamin', flaxen, waxen
♪ Give me it down to there Hair
♪ ShouIder-Iength or Ionger
♪ Here, baby, There, Mama Everywhere, Daddy, Daddy
♪ Hair
♪ Flow it, Show it
♪ Long as God can grow it My hair
♪ I'II Iet it fIy in the breeze
♪ And get caught in the trees
♪ Give a home to the fIeas in my hair
♪ A home for fIeas
♪ A hive for the buzzin' bees
♪ A nest for birds There ain't no words
♪ For the beauty, the spIendor the wonder of my hair
♪ Flow it, Show it
♪ Long as God can grow it My hair
♪ I want it Iong, straight curIy, fuzzy
♪ Snaggy, shaggy, ratty, matty oiIy, greasy, fIeecy
♪ Shining, gIeaming, steaming
♪ Flaxen, waxen knotted, poIka-dotted
♪ Twisted, beaded, braided
- ♪ Powdered, flowered. - ♪ And confettied
- ♪ BangIed. - ♪ TangIed, spangIed
♪ And spaghettied
♪ Oh, say can you see my eyes?
- ♪ If you can. - ♪ Then my hair's too short
♪ Down to here Down to there
♪ Down to there Down to where it stops by itseIf
♪ They'II be ga-ga at the go-go When they see me in my toga
♪ My toga made of bIond brilliantined, biblical hair
♪ My hair Iike Jesus wore it
♪ HaIIeIujah, I adore it
♪ HaIIeIujah, Mary Ioved her son
♪ Why don't my mother Iove me?
♪ Hair
♪ Flow it, Show it
♪ Long as God can grow it My hair
♪ Flow it, Show it
♪ Long as God can grow it My hair
♪ They'II be ga-ga at the go-go When they see me in my toga
♪ My toga made of bIond brilliantined, biblical hair
♪ My hair Iike Jesus wore it
♪ HaIIeIujah, I adore it
♪ HaIIeIujah, Mary Ioved her son
♪ Why don't my mother Iove me?
♪ Hair
♪ Flow it, Show it
♪ Long as God can grow it My hair
♪ Flow it, Show it
♪ Long as God can grow it My hair
♪ Flow it, Show it
♪ Long as God can grow it My hair ♪
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